My name is Maxime Peeters and I was born in Mons, Belgium in 1987. I have always been enthusiastic and always ready.

With a first life in architecture and then graduating in 2009 in Graphic Techniques, I spent almost fifteen years at the heart of ABC Europe in Brussels - getting involved in everything: creation, layout, prepress, training, production and quality control, and much more.

A school of reality, where every detail counts and where the result must be fair.

In parallel, I have been collaborating since the end of 2025 with Ikigai Création, a creative agency, on various projects: 3D modeling, layouts and web design.

With Azulejo Studio, I am opening a new chapter from Portugal - bringing this rigor and constant curiosity to the service of your projects.

" Enthusiastic by nature. Rigorous by profession."

A highly developed sense of composition, color, and detail , honed by years of working between creation and production - where aesthetics alone are not enough, they must also function. Every visual choice is conceived to serve a message, a purpose, a context. Not just to be beautiful, but to be right.

Preflight, prepress, quality control: I master the full graphic production chain, from concept through to final output. Fifteen years at the heart of a digital print shop taught me to anticipate problems before they arise - bleeds, colour profiles, resolutions, trim formats. Your files are ready for production, with no unpleasant surprises and no unnecessary back-and-forth. What you see on screen is what comes out printed.

Full command of the Adobe Creative Suite - Photoshop, Illustrator, InDesign, Acrobat - validated by LinkedIn assessments. Tools I have used daily for years, with a deep understanding of their interactions and limits. Beyond the Adobe suite, my background in architecture led me to work with SketchUp, AutoCAD, 3D Studio Max and V-Ray. More recently, I have extended my practice into web and UX with Wix Studio and Adobe XD. Tools in constant evolution, which I learn and relearn continuously.

3D modeling has been a part of my life since I was 17. Long before my architecture studies, I was already spending hours building virtual worlds, playing with volumes , materials , and light . It's a passion that has never left me and has naturally found its place in my professional career.

Since then, I've followed the evolution of tools - from 3D Studio Max to SketchUp, from V-Ray to real-time rendering engines - always curious about new techniques, always attentive to what technology allows us to do with increasing precision and realism. Attention to detail, essential in both modeling and rendering , has become second nature to me in every project, regardless of the discipline.

Curiosity is perhaps my greatest strength. Graphic design, architecture, gardening, languages, computer science, art, construction… the fields that interest me are numerous and often seemingly unrelated – but that's precisely where the richness lies. Continuous learning means remaining adaptable, finding unexpected connections, and approaching every problem with a fresh perspective.

Because the best solutions rarely come from a single perspective. If you have a problem, I search—methodically, quickly, efficiently - until I find what truly works.

At ABC Europe, I trained new teams on printing technologies and machines , using an open, patient, and mindful approach. Explaining how a machine works, demystifying a technical process, making what seems complex accessible: this is something I am passionate about and still practice today.

Sharing knowledge is also a way of learning . Every question asked requires reformulation, seeking the best explanation, and gaining an even deeper understanding of what one thought one already knew. This approach - pedagogical, attentive, and free of unnecessary jargon - naturally permeates every project and collaboration.